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You are here: Home / Archives for journalism

journalism

Resistance to Extinction Rebellion’s Press Protests Reveals Double Standards in the UK

October 9, 2020 by Holly Barrow

by Holly Barrow

Protestors block the entrance at Merseyside printing press (Image credit: Liverpool Echo)

On 5 September 2020, the global environmental movement, Extinction Rebellion, dominated headlines after blockading key printing sites in Merseyside and Hertfordshire, causing a significant disruption to the distribution of some of the UK’s leading national newspapers – including the Sun and The Times. Activists blocked exits to the print works, describing the protest as an attempt to hold these publications to account for their failure to report truthfully on the scale of the climate crisis and for ‘polluting national debate’ on a number of social issues, including migration.

Each of the newspapers affected by the blockade is owned by media mogul Rupert Murdoch, who has been openly criticised on numerous occasions for his climate change denialism – not least due to his personal interests in the fossil fuel industry. By no coincidence, Murdoch’s newspapers have become renowned for being littered with rife climate skepticism, both across Australia and the UK.

Yet, despite the well-known murky ethics and questionable practices surrounding Murdoch’s publications, Extinction Rebellion’s protests were met with an onslaught of accusations by the likes of the Sun which claimed the organisation’s protests were ‘trying to destroy our greatest democratic principle: freedom of speech’. The Prime Minister himself echoed such sentiments via social media, suggesting that it is ‘completely unacceptable to seek to limit the public’s access to news in this way’ and that a free press is ‘vital’ in ‘holding the government and other powerful institutions to account.’

Only, this assertion neglects to acknowledge the inherent biases within the UK’s mainstream media and how it notably fails in its apparent duty to hold the powerful to account. The responses to Extinction Rebellion’s protests have revealed a deeply ingrained double standard regarding what is and is not considered ‘democratic’. In a recent article for the Guardian, George Monbiot wrote that Extinction Rebellion’s protests served to expose and fight against the ‘shallowness of our theatrical democracy’, and the ‘blatant capture of ours by the power of money’. It’s almost laughable, then, to witness those arguing that the movement’s protests threaten our way of life – that they attack the ‘freedom of the press’ that is considered so crucial to a functioning democracy – with zero irony. This glorified notion of the UK’s so-called ‘free press’ is a far cry from reality. As a matter of fact, it has long been in decline.

The increasing corporatisation of the media is what ought to be recognised as the real threat to press freedom. The UK’s leading newspapers are owned by a handful of billionaires and giant corporations. This drastically hinders the workings of an actual ‘free press’. From Murdoch to the Barclay brothers – 85-year-old British billionaire twins whose business empire spans from luxury hotels to budget retail – their deceitful dedication to protecting vested interests and setting political agendas through the UK’s leading publications has become well-established.

Former chief political commentator of the Telegraph, Peter Oborne, resigned from the paper after coming to recognise the unethical collusion between their editorial and commercial arms. The publication – owned by the aforementioned Barclay brothers – allegedly sought to bury criticisms against HSBC in 2013. In response, Oborne wrote in an article for OpenDemocracy: “HSBC, as one former Telegraph executive told me, is ‘the advertiser you literally cannot afford to offend.’” The media’s reliance on corporate advertising sees editors pandering to their whims.

What’s more, these billionaire-owners of the UK’s media and their publications are, unsurprisingly, right-leaning. The majority supported right-wing political parties in the 2019 general election, with a recent study by Loughborough University finding that the Labour Party was overwhelmingly targeted with negative coverage by national newspapers, while particular publications reserved positive stories almost exclusively for Johnson’s Conservative party. strong editorial support provided by the newspapers with the largest circulation (the Daily Mail and the Sun)

The political influence of the mainstream media is no new phenomenon. Former Prime Minister Tony Blair notoriously cosied-up to Murdoch in order to gain the backing of the Sun in the lead up to the 1997 general election – a move which many believe contributed to his landslide majority. In a recent BBC documentary on Murdoch’s media dynasty, former Sun deputy editor Neil Wallis told of how Murdoch played a crucial role in the paper’s drastic shift in support away from John Major’s Conservative party to Blair’s New Labour: “Rupert comes up and says ‘you’re getting this wrong. You’ve got this totally wrong. We are not just backing Tony Blair but we are going to back the Labour party and everything he does in this campaign 200%. You’ve got to get that right’.”

The relationship between Blair and Murdoch went on to be described as ‘incestuous’, with Murdoch’s decision to back him in 1997 allegedly arising as the two made a deal; Blair promised Murdoch he would not take the UK into the European currency without first having a referendum.

This relationship between media tycoons and leading politicians has been tirelessly scrutinised, with the 2012 Leveson inquiry revealing the extent of its impact, as editors admitted that Murdoch regularly interfered with content. Critics of Murdoch’s News Corp UK – which owns the Sun and The Times – have previously argued that ministers, chief constables, and regulators alike were unable to stand up to him due to the power of his company.

This enmeshing of media and commerce hardly screams the ‘pinnacle of democracy’ and press freedom. The insularity of the UK’s senior journalists only speaks further to a monolithic media – one which upholds the values, beliefs, and interests of a small section of society. A 2018 article by Jane Martinson described the UK media as ‘pale, male and posh’. Martinson – a British journalist and Professor of Financial Journalism at City University – broke down some extremely telling statistics regarding the background of some of the UK’s leading journalists: 51% are privately educated, as are 80% of editors. The journalism industry is 94% white with just 0.4% being Muslim. This inevitably plays a role in the way stories are reported, which stories are covered, and the interests of those reporting them.

Perhaps most embarrassingly, Johnson’s denouncement of Extinction Rebellion’s protests as a threat to Britain’s apparent free press is one riddled with hypocrisy. In December 2019, in the lead up to the general election, Johnson threatened to revoke Channel 4’s licence after they held a leaders’ debate on climate change – to which Johnson did not show. In his absence, Channel 4 placed a melting ice sculpture where Johnson would have stood; a symbol to mark the urgency of the crisis, with Johnson’s non-attendance speaking volumes. The Conservative party went on to launch a formal complaint with Ofcom, threatening to have Channel 4’s public broadcasting licence revoked.

Fast forward a few months and the Conservative government faced backlash again, this time for attempting to ban specific journalists – those most critical of the party – from attending a Downing Street briefing. Suffice to say, Johnson and the elite seem only to value the UK’s ‘free press’ when activists fight back against a heavily skewed media.

XR’s protests come at a time when the increased accessibility of social media helps to provide a necessary balance to the partisan traditional media. Twitter in particular has become key in challenging powerful political and social figures, succeeding where traditional media outlets often now fail. In July, Twitter fact-checked tweets made by Trump, after he incorrectly claimed that mail-in ballots would result in “a rigged election.” The platform then went on to flag any posts he had shared which included manipulated media.

The social media platform also caused a stir when it permanently banned the account of Katie Hopkins – notorious for espousing dangerous islamophobia and xenophobic rhetoric. Hopkins had previously been given a free pass to spout such views in the likes of the Sun. In refusing to provide a platform for such deeply hateful, divisive language, some – such as Trump – have denounced this as a form of censorship; a ‘policing of conservative voices’. However, this seems more like a balancing of power; no longer allowing for the dominant narrative to prevail unabated.


Holly Barrow is a features writer for the Immigration Advice Service – an organisation of OISC-accredited immigration lawyers providing assistance with Spouse Visas, British citizenship, and more

Filed Under: Blog Article, Feature Tagged With: Climate, Climate Change, Extinction Rebellion, Holly Barrow, journalism, Press

In the Line of Fire: A Conversation with Photojournalist Fabiola Ferrero

March 1, 2019 by Atina Dimitrova

By Atina Dimitrova

1 March 2019 

A female security officer holds her shield after a man kicked her repeatedly on an opposition demonstration in Caracas on April 2st, 2017. (Fabiola Ferrero)

 

Caracas-born photojournalist Fabiola Ferrero talks to Atina Dimitrova about her dangerous career and how she deals with documenting tragedy.

 

As fifteen guerrillas surrounded her and forced her to hand over her protective vest, gas mask, helmet and camera equipment, Fabiola Ferrero tried to block the anxiety from her mind. Her attempts to remain calm failed after ten minutes, when she started feeling angry instead. Despite that incident in her home country Venezuela in 2017, Fabiola continued covering the anti-government protests there. Because of her determination to report, the facts prevailed.

Fabiola Ferrero has spent her career uncovering the truth, despite the danger she faces to do so. (Alejandro Cremades)

A freelance photojournalist who grew up in Caracas, one of the deadliest capital cities in the world, Fabiola, 27, says, ‘These types of situations happen often here. I was ten years old the first time somebody pointed a gun at me during one of the conflicts here.’

Staring into space as if trying to collect her memories, Fabiola shares her stories from Caracas over Skype. The distance between her and me in London is about 7,500km. She explains that threats delivered to journalists and citizens are common. ‘My goal is to bring to light the dynamics of Latin America and how we behave in hostile conditions,’ says Fabiola. ‘I want to help the others understand how we manage to live under circumstances which are completely against us.’

Fabiola’s life in Venezuela was marked by violence and social injustice, which she started reporting on in her youth. She says that journalists are sometimes attacked just outside their homes by armed groups. ‘I don’t have any friends in the country. They all left,’ she says slowly. ‘The biggest diaspora of our history is happening right now. Almost two million people have left since Hugo Chávez took power in 1999.’ She takes a long pause. ‘My family left as well.’

Her voice trembles. But Fabiola is proud to continue covering the conflict for international news outlets such as the BBC, The Wall Street Journal, and Bloomberg. She does not want to let events go unreported in South America or on other continents, as she believes that every individual story symbolises the universality of pain. ‘When you face tragedy, it tells you all what it is to be a human,’ she says.

Two members of the militia, a ‘defense group’ created by late President Hugo Chávez, during the commemoration of the third year anniversary of his death, on March 5th, 2017. Even though the country is going through a severe food crisis, the defense and military budget is 9 times the food budget. (Fabiola Ferrero)

She has explored how communities react to violence for both national and international audiences since 2015. Fabiola collects people’s anecdotes on her camera, and some of these stories have been part of group exhibitions in the UK, the Netherlands, Germany and Venezuela.

‘I need to accept the fact that I can’t always detach myself and that I don’t own the truth. I can only try to be as honest as I can,’ she says. A TV news bulletin in Spanish is playing in the background in her home in Caracas, as Fabiola explains the complexity of the conflict and the numerous ways in which it could be interpreted.

She learnt the secrets of her craft at the Caracas-based Andrés Bello Catholic University while obtaining her journalism degree. ‘You could be inspired by your professors and you could learn a lot from reading, but no one in a classroom could teach you how to react when somebody tells you that they’re going to kill you by the end of the day. The only way to learn is going to the streets and reporting.’

What she describes did in fact happen to Fabiola when she was working on a story for The Wall Street Journal. The piece was about 100,000 illegal miners and armed gangs in Venezuela. They were believed to be paying local military commanders for protection and gasoline supplies. During this mission, armed men who were taking care of Fabiola and her colleagues made a joke that they were going to show them in the gold mines and then throw the team into a lagoon by the end of the afternoon. Fabiola acknowledged that it was a possible scenario. She tried to stay as focused as possible in order to take powerful photos of the mines regardless of what was about to happen. And she was glad that what the armed men said proved to be a trick to scare her and that her team was not in danger.

Angel plays on the table while he eats jelly as part of his treatment for cancer. He travels every two weeks from his home town San Cristóbal (close to the Colombian border) to the Capital, Caracas. It is a 14-hour trip by bus at night, so he can get chemo. There is an estimated 85% of medicine shortage in the country. (Fabiola Ferrero)

Despite the difficulties she has faced in her career, Fabiola’s face radiates so much determination. She is also proud to have worked on a story about a five-year-old child in Venezuela who has cancer. Every two weeks the family has to make a 14-hour bus journey from their home town, San Cristóbal, near the Colombian border, to Caracas for the child to receive chemotherapy. Fabiola covered the story for Yahoo News to raise awareness of the severe medicine shortage in Venezuela. ‘Those types of stories are hard to work on,’ adds Fabiola. ‘I have to try really hard not to absorb people’s sadness as my own. I sometimes just get so involved with people when I photograph them, so when I get home I’m completely drained and sad.’

One such difficult period made her leave Venezuela in 2016 for almost a year. Fabiola went to Spain where her brother lives, and she tried to clear her mind from all the unpleasant experiences she had in Venezuela. While abroad, she decided to publish a photobook, called Oblivion. ‘I did it to heal myself; to be completely away from photojournalism,’ says Fabiola.

Men get together to celebrate with guns the ‘second funeral’ of their loved ones. The second funeral is a ritual the Wayuu indigenous community makes 10 years after a family member is buried. They take out the bones from the grave, clean them, and bury them again in a more personal place, so he can finally go to ‘Jepirra’, the Wayuu’s sacred place. Located in the Guajira desert, in the border between Venezuela and Colombia. (Fabiola Ferrero)

But the passion to explore the psychological consequences of crisis in Latin America recently prompted Fabiola to go back to Venezuela. She is now also photographing communities in Colombia that are completely forgotten by the state. Fabiola shows how people try to live normally during conflicts that have lasted for five decades. ‘It’s very difficult to believe that the reality will change because of our pictures,’ says Fabiola. ‘But there are ways to work directly with communities to help them question their identity and create self-image. Hopefully in the future I’ll do more reporting on that and expand my work throughout Latin America. I don’t know about legacy. But hopefully I’ll improve some people’s lives.’

The time is ticking away. There are twenty minutes left before Fabiola has to go on her next assignment. She risks her life to promote change. Armed with her camera and strong inner values, Fabiola nibbles a chocolate bar and gets ready to go. While rubbing her eyes — she is sleep-deprived again — she concludes, ‘I want to use photography to heal others with my work.’

 



Atina is an MA International Relations student at King’s College London. She is also a freelance social media editor at MailOnline and a freelance broadcast journalist at the BBC. She is the author of two novels and has work experience across a range of media outlets, such as The Guardian and News UK. You can follow her on Twitter @atinadimitrova1. 


All photos have been published here with the permission of the photographer. 

Filed Under: Blog Article, Interview Tagged With: Caracas, colombia, Fabiola Ferrero, journalism, photojournalism, Venezuela

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